I talked with eco-troubadour Bill Oliver back in episode 3 of That’s Soundacious, and this is a very timely song about the Deepwater Horizon oil spill, and the “response” of Texas governor (and current Republican Presidential candidate) Rick Perry. You can hear more of Bill’s music at his website, mrhabitat.net.
As promised, here’s The Flyin’ A’s out of Austin performing Butch Morgan’s Mr. Blue.
Listen to more of their stuff at theflyinas.com.
This is the first of several shorter, more frequent episodes of the podcast through the course of September … and possibly October. Expect Fun-Size shows every Monday and Thursday.
The first “Fun-Size” features Claude “Butch” Morgan singing Mr. Blue at a house concert in McHenry, MS. He is backed up on guitar and harmony vocals by Ken Gaines.
Here are the websites of this episode’s featured artists:
John Voorhees talks with Ken Gaines about the origins of Camp Stupid at the Kerrville Folk Festival and how to know folk music when you hear it. Plus, tunes from Gary Sapone, Hans York, Val D’Alessio and Dave Tinder.
Here are the websites of this episode’s featured artists:
The only incidental music in this episode is Asking For Trouble from the album Asking For Trouble by John Voorhees.
This is the transcript for the interview in Episode 5. If you listen at the same time you read, you may notice a few minor differences. That’s because I did a little editing to make the audio flow better. You’re welcome.
– John
DW: And so, what else are you afraid of?
AF: Well, I wanted to ask, when you were my age, when you were starting out, at some point when you had this life, this street-performing life, you were traveling and playing for anyone who would listen, did you ever find someone that served as a mentor or to guide you?
DW: Yes! There were thousands. And most of them were not musicians.
AF: Okay.
This is the second half of the interview between pianist-songwriter Allie Farris and former A&M artist and relentless seeker David Wilcox. (Part 1 is in Episode 4.) David’s views on the personal journey of songwriting and the importance of listening to your inner truth are particularly poignant after the sudden death of Amy Winehouse.
I play several fragments and songs of Dave’s through the course of this show, and you can hear them complete and buy your own copies through the following links:
Next episode in two weeks on Monday, August 22. Cheers!
Allie, my guest interviewer on Episode 4, is a terrific songwriter, as well as the student and goddaughter of Julie Bonk. She has released a couple of CDs, and you can sample more of her music on her website, alliefarris.com.
David Wilcox recorded his latest CD, Reverie, in front of a hand-picked audience of fans who were instructed NOT to clap until everything was finished. He was also kind enough to video the proceedings, so here’s the opening track.
Sorry to shout, but That’s Soundacious is currently the number one Folk podcast at Podomatic, beating out “professional” titles like Folklandia and Sing Out!
That's Soundacious is now the #1 folk podcast at Podomatic!
Thanks to all my listeners. Please pass the ‘cast along to friends who you think might like it. I’m curious how long I can stay at number one. The ratings are determined daily, so I’ll keep you posted here.
***EDIT 6/27 – Still there!
***EDIT 6/28 – That was fun while it lasted, but I’ve been knocked down to #2 by perennial favorite Celtic Roots Radio.
This is the transcript for the interview in Episode 4. If you listen at the same time you read, you may notice a few minor differences. That’s because I did a little editing to make the audio flow better. You’re welcome.
— John
DW: Hey, this is Dave Wilcox. I’m at Kerrville. I love being at Kerrville, I’ve been coming here for 25 years. And I remember when I first came here. It was kind of bewildering seeing these song circles and hearing these beautiful songs, some of them from people who’d just started playing, some of them from people who’d been playing all their lives. And they were on equal footing. The authority of the song is what spoke, and not any sort of industry credentials. And around the campfire when you can’t even see whose face it is, the character that comes into view is the character in the song.
And so you listen and you get transported into these wonderful other worlds where there’s beautiful characters and drama and the song paints a whole beautiful picture. And the fun part, and the frustrating part, is that, you know, on one level we’re all equal and the songs find their way into our hearts with no problem. And then on another level you wonder, how do you ever get your music out there when it’s not just a campfire? And I remember, y’know, 25 years ago when I was just starting, I had so many questions about, well, what do you do first? Should I buy a sound system? Y’know, should I get a manager? Should I try to, y’know… there was so many questions.
But I think one fun way to talk about this was, last night I got into a conversation with a wonderful songwriter who I just heard for the first time. Allie has just come to Kerrville this year, and y’know, she’s 20 years old and she’s right where I was way back then when I was feeling like, What do you do next? So I’d like to introduce you to Allie. I forgot your last name, what’s your last name?
AF: My name is Allie Farris.
DW: Allie Farris. So y’know, even though we’re talking to lots of people through this magical airwaves, I would love to just hear sort of how this festival feels to you, where you’re going from here, if you have any questions that might … help all of us, y’know, the ones who have been doing it for a while and forget how magical it is, the ones who are just starting out and want to get a perspective on sort of how we get to where we’re going. So, what’s on your mind?